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“The Cherry Orchard”: The Comedy Of Ruins

Nikolai Kolyada’s The Cherry Orchard begins after loss has already become the furniture of the world. In the Witkacy Theatre’s Polish-language production, presented at MİTEM, the Madách International Theatre Meeting in Budapest, Chekhov’s orchard is no longer a shimmering memory waiting to be auctioned. It is gone. What remains is not nostalgia but residue: plastic cups, rough human need, the sour comedy of people who have outlived their own excuses. This is a severe and unexpectedly tender reading of Chekhov’s last play. Directed and designed by Kolyada for the Witkacy Theatre in Zakopane, the production places a familiar drama of…

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