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A Frontmezzjunkies TIFF film review: Ira Sachs and David Turpin turn to the artists, lovers, and chosen families living in the shadow of AIDS. By Ross The AIDS crisis of the late 1980s hangs over both Ira Sachs’s “The Man I Love” and David Turpin’s “Ancestors,” two queer films that drew me into communities where the need for love, connection, and a place to belong carries an extraordinary emotional weight. Both are set in worlds where illness and loss are never far away, yet the people at their centres continue to search for purpose, intimacy, and a reason to keep…

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