“They have done nothing wrong, and we could not be prouder of the professionalism, commitment and talent they have shown throughout this process,” the statement read.
Rather than canceling the performance week entirely, Gillian Banks Creative Productions said it is now creating a new variety production in the same slot, featuring “Motown, musical theatre and jukebox classics” and using the same cast.
The licensing page for Dreamgirls has also been updated to make the casting expectations explicit. Concord Theatricals now lists the principal roles of Effie, Deena, Lorrell, Michelle, Jimmy, C.C., Curtis, and Marty as Black, along with several supporting roles. It also includes a casting note stating that Dreamgirls is about “a time in Black American music history” and that productions “must be appropriately cast to represent and reflect these artists and their history.”
“Casting Note: Dreamgirls is a show about a time in Black American music history when rhythm and blues blended with other styles of popular music, creating a new American sound. It tells the story of the Dreamettes and celebrates their rise to fame, echoing similar trajectories of iconic Black girl and boy groups of the time, like The Supremes, The Marvelettes, The Temptations and The Shirelles. Your production must be appropriately cast to represent and reflect these artists and their history.
Company members must match the character definitions as set forth above.”
Good. Honestly, good.
Credit where it is due: the rights holders did the right thing here, just as the creative team at Hairspray also saw the problem, closed the loophole, and made the expectations clear, That is exactly what rights holders should do when a production exposes the gap between what a licensing agreement technically allows and what a show ethically requires.
Because apparently, in 2026, we still need to write down “please do not produce Dreamgirls without Black people” in official licensing language.
Wonderful. Fantastic. Love that journey for us.
But I’m not letting Gillian Banks Creative off the hook just yet.
The company frames this cancellation as “due to circumstances completely outside of our control,” which is a fascinating way to describe the consequences of choices made very much within their control.
-0-1280-0-720-crop-fill.jpg?k=ca8f716555 "Tony Leung on drifting between the lines of cinema and reality for the most memorable roles of his five-decade career • Journal • A Magazine • , Life in canada")
